Some Things I Know: Crafting a story worth telling

Whenever I have the privilege of doing a book reading or writing presentation, I always spend some time talking about the power of sharing your story. Everyone has a story, and everyone’s story is worth sharing, I say. I stand behind this. It is both true and important.

But in another way, it’s not true, right? Everyone has a story that has value in their own lives, within their own circle of humans. However, if you’re hoping to publish your story, to craft it into something marketable, the bar is a bit higher. And before you start down the long road of drafting it all out, editing it until your heart sweats and pitching it to agents, a good first step is to determine if your story is worth telling, not just to your friends and family, but to a larger audience of readers.

How can you know? To me, it comes down to two things: striking a balance between bizarre and relatable, and having a solid theme.

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Some Things I Know: What does truth mean in memoir?

The truth of your memoir has to revolve around fact, right? Otherwise, you may be writing something super, but it’s probably not memoir. At the same time, one of the greatest challenges to writing memoir is that facts also have a tendency to obscure the truth of your story at times. Sometimes you have to leave them out. Or even change them a bit.

So, definitely stick to facts, but don’t stick to too many facts. You’re welcome! Good luck with that. It’s a confusing bit of advice, I know, but writing memoir is about filtering through all the facts, choosing the ones that contribute to the truth of the story you’re telling and leaving the ones that are irrelevant or distracting in your memory, but out of your memoir.

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